‎‎NAF RECEIVES FIVE NEW HELICOPTERS AS FG ACCELERATES AIRPOWER MODERNISATION. (PHOTO).

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 ‎‎NAF RECEIVES FIVE NEW HELICOPTERS AS FG ACCELERATES AIRPOWER MODERNISATION ‎ The Nigerian Air Force (NAF) has taken delivery of five new helicopters as the Federal Government accelerates efforts to modernize Nigeria’s airpower capabilities and strengthen the Armed Forces’ capacity to respond effectively to contemporary security challenges.  ‎ ‎A statement by the Director of Public Relations and Information Air Commodore Ehimen Ejodame indicates that the platforms comprise three AW-109 Trekker B helicopters  and two H-125 helicopters. ‎ The three AW-109s, which form part of 10 recently acquired by the Federal Government, were received in Lagos on 15 September 2026, with the remaining seven expected to be delivered before the end of 2026. ‎ ‎The Chief of the Air Staff, Air Marshal Sunday Aneke, described the acquisition as another significant milestone in the Federal Government’s sustained investment in the modernization and re-equipment of the NAF noting that the new pl...

LOST RUBENS PAINTING OF CRUCIFIXION FETCHES $2.7 MILLION. (PHOTO).



Lost Rubens painting of crucifixion fetches $2.7 million

VERSAILLES, FRANCE - A long-lost painting by Baroque master Peter Paul Rubens, hidden for more than 400 years, sold for 2.3 million euros ($2.7 million) at an auction in Versailles on Sunday.

The artwork, recently discovered in a private Paris townhouse, depicts the crucifixion of Jesus Christ. Originally part of a French collection, it was long believed to be the work of one of Rubens’ many workshops and was rarely valued above 10,000 euros ($11,500).

Auctioneer Jean-Pierre Osenat said he suspected the painting’s true value early on and sought authentication. The work was ultimately confirmed by the Rubenianum, the Rubens committee in Antwerp.

Art historian Nils Büttner noted that while Rubens frequently painted crucifixions, he rarely portrayed Christ as a dead figure on the cross. “This is the one and only painting showing blood and water from the side wound of Christ, something Rubens painted only once,” Büttner said.

Scientific analysis further confirmed the painting’s authenticity and provenance. Microscopic examination revealed pigments typical of Rubens’ style, including layers of white, black, and red for flesh, as well as blue and green tones.

Art expert Eric Turquin added that the painting had virtually disappeared in the early 1600s. It later belonged to 19th-century French painter William Bouguereau and was passed down through his family before resurfacing for the auction.


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