NDLEA DISMANTLES ABUJA DRUG BUNKS, ARRESTS 132, RECOVERS 220KG ILLICIT SUBSTANCES. (PHOTOS). #PRESS RELEASE.

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 NDLEA dismantles Abuja drug bunks, arrests 132, recovers 220kg illicit substances  -Marwa hails operation, vows to sustain crackdown in FCT, other states  In a non-stop two-week offensive action against traffickers and dealers, operatives of the National Drug Law Enforcement Agency (NDLEA) have successfully dismantled several drug joints and bunks within and around the Federal Capital Territory (FCT) Abuja where a total of 132 suspects were arrested and 220 kilograms of assorted illicit substances recovered. The wel-coordinated raids jointly conducted by the Agency's Directorate of Operations and General Investigation (DOGI) and the FCT Strategic Command from llth to 25th April 2026 were launched to dismantle illicit drug hubs contributing to substance abuse, trafficking, and associated criminal activities in the capital city after weeks of intelligence and surveillance across all identified hotspots. Areas where notorious drug joints were raided, dismantled and suspects...

KPOP DEMON HUNTERS WINS OSCAR FOR BEST ANIMATED FEATURE. (PHOTO).



KPop Demon Hunters wins Oscar for best animated feature


“KPop Demon Hunters” won the Academy Award for best animated feature film on Sunday, bringing an exclamation point to the musical-action movie’s remarkable run that has dominated both the global box office and the music charts.

The Netflix blockbuster centers on HUNTR/X, a Korean girl group that secretly battles supernatural demons while navigating the pressures of fame, rivalry, and personal struggles. In the film, the trio must confront a mysterious rival boy band as well as the emotional burdens carried by their lead singer. The movie’s energetic visual style blends 2D anime-inspired artwork with 3D computer animation, creating a fast-paced aesthetic that complements its intense action sequences and musical performances.

The film’s soundtrack also played a major role in its cultural impact. Led by the Grammy-winning hit “Golden,” the music from the movie became a sensation, with eight tracks landing on the Billboard Hot 100. Alongside the demon battles and choreographed performances, the story focuses on themes of self-acceptance, weaving together Korean mythology and the world of K-pop idol culture into a unique narrative.

Director Maggie Kang used her acceptance speech to reflect on the significance of the moment, particularly for Korean audiences and creators.

“This is for Korea and Koreans everywhere,” she said, while also acknowledging the long wait for greater representation of people who look like her in major animated films.

The victory highlights the growing global influence of South Korean pop culture. The film’s imaginative universe — where a trio of pop singers stands between humanity and dark supernatural forces — resonated widely with audiences. The characters became especially popular with younger fans, inspiring numerous Halloween costumes across the United States.

The singers behind the fictional group HUNTR/X — Ejae, Audrey Nuna and Rei Ami — experienced a surge in popularity following the film’s success. Their social media followings rapidly expanded, and the trio appeared at high-profile events, including performing in the Macy’s Thanksgiving Day Parade and joining Bad Bunny during the season premiere of “Saturday Night Live.”

Arden Cho, who provided the speaking voice for the character Rumi, also received significant attention for her performance and was recognized as one of the entertainment industry’s breakout figures of 2025.

The film’s Oscar win was widely expected after a dominant awards season. Competing nominees included “Arco,” “Elio,” “Little Amélie or the Character of Rain,” and “Zootopia 2,” but none had matched the momentum built by “KPop Demon Hunters.” The movie secured major precursor awards earlier in the season, including wins at the Producers Guild Awards and the Golden Globes.

The victory continues a recent trend of the Academy honoring original animated storytelling rather than films based on preexisting franchises. Recent winners in the category have included Hayao Miyazaki’s “The Boy and the Heron” and the Latvian animated film “Flow.”

Kang has previously explained that she wanted audiences to fully experience the film’s Korean cultural setting without simplifying its traditions or references for Western viewers. By immersing audiences directly into the culture, she said, the story could naturally bridge cultural differences and encourage broader understanding.


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