KOURTNEY KARDASHIAN AND TRAVIS BARKER MAKE RARE RED CARPET RETURN AT TRIBECA FILM FESTIVAL DATE NIGHT. (PHOTO).

Image
 Kourtney Kardashian and Travis Barker make rare red carpet return at Tribeca Film Festival date night Kourtney Kardashian and Travis Barker made a rare joint appearance on Saturday night, stepping out together at the Tribeca Film Festival for a date night in New York City. The couple returned to the red carpet for the first time in over two years as they attended the premiere of Barker’s documentary, Travis Barker: Louder Than Fear. They arrived in coordinated black outfits, presenting a sleek, unified look for the evening. Kardashian, 47, wore a long-sleeved satin gown featuring a white collar and button detailing down the front.  The outfit included a high slit that revealed her legs, and she layered a black bralette underneath. She completed the look with black pointed heels and a satin clutch, wearing her hair down with straight bangs framing her face. Barker, 50, kept his style classic in a black suit, finishing the outfit with dark square sunglasses.  He was also j...

MICHAEL JACKSON WAS ‘WORSE THAN EPSTEIN,’ CLAIMS ‘LEAVING NEVERLAND’ DIRECTOR. (PHOTO).


 Michael Jackson was ‘worse than Epstein,’ claims ‘Leaving Neverland’ director


Dan Reed, the director of the 2019 documentary Leaving Neverland, has reignited debate around Michael Jackson with sharp criticism of the new biopic Michael. 


Reed argues that the film, despite its box office success, sidesteps the serious abuse allegations that shadowed Jackson for decades. 


He questions how any portrayal of the singer can be considered authentic if it ignores accusations of child sexual abuse, insisting that omitting this aspect distorts the story.


Reed’s stance is rooted in his documentary, which focused on Wade Robson and James Safechuck, two men who accused Jackson of abusing them as children. 


Jackson denied such claims during his lifetime, and his estate continues to reject them. 


Reed also condemned director Antoine Fuqua’s dismissal of the allegations as opportunistic “gold digging,” calling that view ironic given the commercial motives behind the biopic. 


He emphasized that Robson and Safechuck have not profited from their accusations, pointing out that lawsuits only yield compensation if won in court.


Beyond the filmmakers, Reed accuses the media and Jackson’s estate of softening coverage due to the singer’s enduring popularity and financial power. 


He argues that critics face backlash from the “Jackson machine,” while fans and industry figures often overlook troubling allegations in favor of celebrating Jackson’s music. 


Reed’s harshest claim compares Jackson to Jeffrey Epstein, underscoring his belief that audiences are too willing to ignore disturbing accusations for the sake of entertainment. 


With Michael bringing Jackson’s life back to the big screen, Reed insists the public should not be allowed to dance past the controversy.

Comments

Popular posts from this blog

SHAKIRA COVERS WOMEN'S HEALTH MAGAZINE,APRIL ISSUE.

THE NEW OONI OF ILE-IFE,WILL NOT EAT THE HEART OF THE LATE OONI-PALACE CHIEFS.

INNOSON GIVES OUT BRAND NEW IVM G5 AND SALARY FOR LIFE TO THE MAN WHO PROPHESIED ABOUT HIS VEHICLE MANUFACTURING IN 1979.(PHOTO).