RUSSIAN FORCES TO STAY IN MALI TO FIGHT TERRORISM: KREMLIN. (PHOTO).

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 Russian forces to stay in Mali to fight terrorism: Kremlin The Kremlin said on Thursday that Russian forces would stay in Mali to help the country's government battle terrorists following an offensive over the weekend by Tuareg-led separatists and terrorists. Kremlin spokesman Dmitry Peskov made the statement after being asked by a reporter how Russia responded to a purported statement from the terrorists saying they wanted Russia to leave Mali. "Russia's presence there is, in fact, due to the need identified by the current government. Russia will continue, including in Mali, to combat extremism, terrorism and other harmful phenomena and will continue to provide assistance to the current government," said Peskov, AFP reported. The Russian Defence Ministry had claimed on Tuesday that units of its African Corps prevented an attempted coup on April 25, 2026 in Mali. It said in a statement that the African Corps units "inflicted irreparable losses" on superior ...

MICHAEL JACKSON WAS ‘WORSE THAN EPSTEIN,’ CLAIMS ‘LEAVING NEVERLAND’ DIRECTOR. (PHOTO).


 Michael Jackson was ‘worse than Epstein,’ claims ‘Leaving Neverland’ director


Dan Reed, the director of the 2019 documentary Leaving Neverland, has reignited debate around Michael Jackson with sharp criticism of the new biopic Michael. 


Reed argues that the film, despite its box office success, sidesteps the serious abuse allegations that shadowed Jackson for decades. 


He questions how any portrayal of the singer can be considered authentic if it ignores accusations of child sexual abuse, insisting that omitting this aspect distorts the story.


Reed’s stance is rooted in his documentary, which focused on Wade Robson and James Safechuck, two men who accused Jackson of abusing them as children. 


Jackson denied such claims during his lifetime, and his estate continues to reject them. 


Reed also condemned director Antoine Fuqua’s dismissal of the allegations as opportunistic “gold digging,” calling that view ironic given the commercial motives behind the biopic. 


He emphasized that Robson and Safechuck have not profited from their accusations, pointing out that lawsuits only yield compensation if won in court.


Beyond the filmmakers, Reed accuses the media and Jackson’s estate of softening coverage due to the singer’s enduring popularity and financial power. 


He argues that critics face backlash from the “Jackson machine,” while fans and industry figures often overlook troubling allegations in favor of celebrating Jackson’s music. 


Reed’s harshest claim compares Jackson to Jeffrey Epstein, underscoring his belief that audiences are too willing to ignore disturbing accusations for the sake of entertainment. 


With Michael bringing Jackson’s life back to the big screen, Reed insists the public should not be allowed to dance past the controversy.

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