DOLLY PARTON RETURNS TO PUBLIC EYE TO CELEBRATE OPENING DAY AT DOLLYWOOD . (PHOTO).

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 Dolly Parton returns to public eye to celebrate opening day at Dollywood     Dolly Parton made her first public appearance in months to celebrate the opening day of Dollywood in Pigeon Forge, Tennessee, on Friday. The country music icon reflected on the past year, a year after the death of her husband of nearly 60 years, Carl Dean, saying she is “doing good” and has been working to rebuild herself spiritually, emotionally, and physically after grieving and dealing with health issues that kept her from touring. Joined on stage by Dollywood president Eugene Naughton, Parton brought her trademark humor to the crowd, joking about rumors of a new husband while reaffirming her devotion to Dean. She also shared updates on her ongoing projects, including a new Broadway musical and her Dolly’s Life of Many Colors Museum in Nashville. Parton previewed the park’s 41st season, highlighting the upcoming NightFlight Expedition ride, a new “Run Dollywood” race weekend, an updated ...

ISSA-ONILU: CREATIVES MUST TELL NIGERIA’S FULL STORY, NOT JUST THE NEGATIVES. (PHOTO).


 Issa-Onilu: Creatives must tell Nigeria’s full story, not just the negatives


Lanre Issa-Onilu, director-general (DG) of the National Orientation Agency (NOA), says indigenous creative artistes should tell Nigeria’s story in a way that highlights the full range of the country’s positive developments in the country rather than narrating one-sided negativities.

Represented by Funke Salako, the southwest director of NOA, Issa-Onilu spoke in Lagos on Tuesday at the Women in Film and Television (WIFT) conference.

The WIFT conference is a yearly event that draws participants from female creative artistes in Nigeria to network, share ideas, and find solutions to issues affecting the country’s film and creative industries.

Joke Silva, a Nigerian movie producer, heads the local chapter of the forum.

Issa-Onilu said creating stories rooted in culture, history, and civic identity is at the root of the current policy of the federal government to nationalise cartoon content in hopes of gradually reducing the large foreign content in cartoons, thereby helping to preserve Nigeria’s heritage.

“The National Orientation Agency, mandated to foster national identity and promote values, has taken up this challenge with commitment and passion,” he said.

“We developed the national identity project, which is anchored on the national values charter.

“The charter is a roadmap for rebuilding and reasserting Nigerian identity. It is structured around three components: the Nigerian promise, the citizens’ code, and institutionalisation policies.

“Each of these pillars ensures that Nigerian identity is not an abstract concept but a lived reality in our homes, schools, and media.”

The NOA DG told participants at the conference, comprising diplomats and movie artistes from Nigeria, other African countries, Canada, and the United States of America (USA), to imagine the transformative power of the initiative, producing a generation of children who grow up watching heroes who speak their language, sing their songs, celebrate their festivals, and embody their values.

He said the nationalisation concept would produce children who learn about discipline, tolerance, and leadership from their textbooks and captivating animations.

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