U.S EQUIPMENT, EXPERTS ARRIVE AT KENYA EBOLA FACILITY DESPITE COURT ORDER, PROTESTS. (PHOTO).

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 U.S equipment, experts arrive at Kenya Ebola facility despite court order, protests Around 20 flights carrying medical equipment and specialist staff have landed at a base in Kenya where the U.S. ​government is continuing to build an Ebola quarantine facility despite protests and Kenyan court orders blocking it, according to flight data and officials. At least two ‌people have been killed in protests in the central Kenyan town of Nanyuki, home to the Kenyan air force base where the U.S. military is building a 50-bed unit for Americans who might be exposed to the virus, which has infected hundreds in Democratic Republic of Congo and Uganda. A Kenyan court first ordered work on the Ebola facility to be suspended on May ​28, yet U.S. military flights into Nanyuki continued in the days that followed, according to data from flight-tracking service Flightradar24. The planes have brought in technical ​equipment as well as dozens of physicians, engineers, lab experts and construction work...

DANIEL RADCLIFFE SAYS BROADWAY ROLE ‘SCARED’ HIM MORE THAN ANYTHING HE’S DONE BEFORE. (PHOTO).


Daniel Radcliffe says Broadway role ‘scared’ him more than anything he’s done before

Daniel Radcliffe is preparing to wrap up his run in Every Brilliant Thing, but the role that once pushed him far outside his comfort zone has now become one of the defining performances of his stage career.

The 36 year old actor will take his final bow in the production on May 24, closing out a run that has earned him widespread praise and a Tony nomination for Best Leading Actor in a Play.

Unlike traditional stage performances, Every Brilliant Thing demands constant interaction with the audience, something Radcliffe admits initially felt intimidating. Throughout the show, he moves through the theater, speaks directly with audience members and builds parts of the performance around spontaneous reactions from the crowd.

For the former Harry Potter star, that unpredictability was exactly what drew him in.

He explained that every few years he looks for projects that genuinely frighten him as an actor, believing discomfort can shake him out of creative routine. This play, he said, absolutely did that.

The production, written by Duncan Macmillan, tackles difficult themes including depression and su!cide, while also focusing on hope, connection and finding joy in ordinary moments. Radcliffe believes the play succeeds because it approaches heavy subjects with warmth rather than hopelessness.

He described kindness as the heart of the story, saying the balance between emotional weight and uplifting moments is what makes the production so powerful.

Part of the challenge for Radcliffe came from how closely parts of the character felt connected to his own personality, while other aspects forced him into unfamiliar territory. He said that combination is where he feels most creatively alive as a performer.

Although the play is often described as a one man show, Radcliffe says it never truly feels that way because the audience becomes part of the experience every single night.

According to him, the emotional connection formed inside the theater is what transformed the role from something terrifying into something deeply meaningful.

Rather than simply performing lines on stage, he says the production feels like a shared experience between everyone in the room, something created together in real time.

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