MAGNITUDE 5.5 EARTHQUAKE STRIKES EASTERN EGYPT. (PHOTO)

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 Magnitude 5.5 earthquake strikes eastern Egypt A magnitude 5.5 earthquake shook eastern Egypt early Monday, prompting authorities to activate response plans, although there were no immediate requests for emergency help. The tremors were felt across a wide area, waking residents across Cairo and reaching as far as El-Arish near Egypt's border with the Gaza Strip. The quake struck about 40 kilometres north of the city of Suez at 3:00 am (0000 GMT), according to Egypt's National Research Institute of Astronomy and Geophysics, which revised an earlier estimate of 5.2.

BRITISH ARTIST DAVID HOCKNEY, ICON OF MODERN ART KNOWN FOR SWIMMING POOL PAINTINGS, DIES AT 88.(PHOTO).


 British artist David Hockney, icon of modern art known for swimming pool paintings, dies at 88

British artist David Hockney, whose vivid swimming pool paintings and later iPad drawings helped define contemporary art, has died at the age of 88, his publicist said Friday.

Hockney died at his home in London on Thursday, less than a month before his 89th birthday. No cause of death was released. Over a career spanning more than 70 years, he became one of Britain’s most influential and widely recognized artists, working across painting, collage, photography, printmaking, stage design and digital media.

Born in Bradford in northern England, Hockney rose to prominence in the 1960s as part of the British pop art movement. His early work quickly set him apart for its bright colors, stylized forms and modern subjects, often reflecting everyday life and relationships in bold, simplified compositions.

Much of his later artistic identity was shaped by his time in Southern California, where he lived for many years. The region’s sunlight, pools and suburban landscapes became defining themes in some of his most famous works, helping cement his global reputation.

In later decades, Hockney returned frequently to Europe, drawing inspiration from the countryside of Yorkshire and Normandy. His landscapes from this period were widely exhibited and drew large audiences, reinforcing his status as one of the most popular living painters of his time.

His work regularly commanded record prices at auction, including his 1972 painting Portrait of an Artist (Pool with Two Figures), which sold for $90.3 million in 2018, setting a record at the time for a living artist.

Art historian Simon Schama described Hockney’s appeal as rooted in a sense of pleasure and accessibility, noting that his work invites viewers into a world designed to be enjoyed as much as studied.

Hockney’s career was also marked by constant experimentation. He moved between traditional painting and photography collages, and later embraced digital drawing on iPads, which became a major creative tool in his later years. He also worked in theater and opera design, contributing sets and costumes to major productions.

His photography experiments led to complex collage works such as Pearblossom Highway, while his research into perspective and optical tools informed his 2001 book Secret Knowledge: Rediscovering the Lost Techniques of the Old Masters.

In the 2000s and 2010s, his focus shifted strongly to landscapes, particularly the fields and seasons of northern England. A major exhibition of these works drew hundreds of thousands of visitors and later traveled internationally.

During the COVID-19 lockdown, Hockney created bright iPad drawings celebrating spring in Normandy, accompanied by his widely shared message that “they can’t cancel the spring.”

He remained active into his later years despite health challenges, including a minor stroke in 2012 and increasing deafness, which he said sharpened his visual awareness. Friends and curators often noted that he continued working daily well into old age, driven by a lifelong dedication to art.

Tributes following his death have highlighted both his innovation and his lasting influence on generations of artists, as well as his ability to reshape how modern life, light and landscape are seen through contemporary art.


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