COURT JAILS FAKE AMERICAN, TWO OTGERS IN KADUNA. (PHOTOS). #PRESS RELEASE.

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 Court Jails Fake American, Two others in Kaduna   Justice A.A Isiaka of the Kaduna State High Court, sitting in Kaduna has convicted and sentenced a fake American,  Stephen Thomas to five years imprisonment.  He was jailed after pleading guilty to one-count charge bordering on impersonation by the Kaduna Zonal Command of the Economic and Financial Crimes Commission, EFCC.   His charge reads: “That you, Stephen Thomas (a.k.a Rolanda Collins), male, sometimes in February,  2024 at Narayi Kaduna within the jurisdiction of this Honourable Court fraudulently impersonated one Rolando Collins (an American citizen) on Facebook and in such assumed character, cheated one Kate Stewarton (an American citizen) the sum of $100(One Hundred USD) and you thereby committed an offence contrary to Section 308 and punishable under Section 309 of the Kaduna State Penal Code Law 2017.”   He pleaded “guilty” to the charge when it was read to him which prompted the prosecution counsel, M. J. Arugungu urged th
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NIGERIAN ARTISTS LOSING LOVE FOR MUSIC- PHEELZ LAMENTS.(PHOTO).

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Nigerian artists losing love for music – Pheelz laments

Record producer and singer, Philip Kayode Moses, popularly known as Pheelz, has lamented that Nigerian artists are fasting losing genuine love for music.

Speaking on The Dadaboy Show hosted by media personality, Ehiz, Pheelz said Nigerian artists are now more interested in the lucrative business side of music than the art itself.

He said there is no difference between Nigerian artists, entrepreneurs, or manufacturers.

He, however, warned that marketing strategies are ephemeral as he emphasized that only good music will stand the test of time.

Pheelz said, “We [Nigerian artists] are losing that love for music. It’s starting to become manufacturing. It’s starting to feel like we’re manufacturing soaps like we are making iPhones.

“It’s starting to feel repetitive like we’re losing our creative sauce and our creative essence. It’s becoming work. Now, it’s harder to promote than to even make the music. Now, it’s becoming about promotion and marketing, not even about the art of it.

“I don’t know about anybody else but for me, it’s about the music. I think that’s the most important thing. That’s the one thing that will stand the test of time. Marketing strategies will come and go. We shouldn’t be really focused on that. The way we market music now was not the same way we used to market music.

“When people say stuff like, ‘It doesn’t even matter if the music sounds good, if you no get money to push am e no go blow.’ That kind of thing hurts me. I’m like, then what are we doing? If we don’t really exalt good music anymore and we just follow clout and hype what are we doing? Are we really making music then?”


 

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