KADUNA BUSINESSMAN DRAGS EX FIANCEE’S FATHER TO COURT, DEMANDS DOWRY REFUND. (PHOTO).

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Kaduna businessman drags ex fiancee’s father to court, demands dowry refund A businessman, Nasiru Dayyabu, on Wednesday, dragged the father of his ex-fiance, Mallam Sani Direba, to Shari’a Court II sitting at Magajin Gari, Kaduna over N260,000 dowry. The complainant had joined Direba in the suit against two brothers demanding a refund of N250, 000 dowry and N10,000 introduction money he paid to marry his daughter. Represented by his counsel, Mr Sani Sunusi, the complainant told the court that he sent his people from Karaye, Kano State to Kaduna in 2025, to seek for the defendant’s daughter’s hand in marriage. “We paid the dowry and the introduction money (kudin gausuwa) and were waiting for them to set a date for the wedding,” he said. “Unfortunately, the lady’s father called to inform us that they have cancelled the marriage.” The counsel said the complainant had asked for the refund of his money since Sept. 2025 but all the efforts he made proved abortive. He claimed that his client ...

OMONI OBOLI: I USED TO TRADE MY SCRIPTS FOR ROLES. (PHOTO).


 Omoni Oboli: I used to trade my scripts for roles


Filmmaker and actress Omoni Oboli has shared her inspiring story of transitioning from an actress to a director.

In an interview with Radionow 95.3 FM, Oboli revealed that she initially traded her scripts for roles in films, only to realise that her vision wasn’t being brought to life.

Determined to maintain creative control, Oboli said she decided to take the helm and direct her own projects.

According to him, despite initial apprehensions and self-doubt, she found the courage to pursue her dreams.

Oboli recounted: “I was trading my scripts, I’d say you know what, just take it, and don’t pay me. Just give me a role in the film. So, I started to do that. But then I’ll watch the film and I realised, Okay it’s not quite what I had in my head when I was writing cos I see what I’m writing, I write in pictures. I see what I’m writing, so when I’m watching the movie it’s so different. Not to say that it wasn’t good because no two directors will direct the same script in the same way. So I said to myself, if my stories are going to have my DNA, then I’m going to have to direct them myself,” she said.

Oboli’s journey involved understudying directors on set and formal education at the New York Film Academy.

“And it was a scary thought, really who do you think you are to come and direct a film? Like who are you again? You know it was so scary, but then I said to myself, Warri no dey carry lass na. wetin dem get wey I no get? I was like, I’ll do this thing. So I started understudying directors, like I’m acting on set but I’m watching the director closely. And I said you know what? Maybe I need some formal education on this. So I went to the New York Film Academy for a short course,” she added.

She said her determination and passion have led to her success as a director, allowing her to bring her unique vision to the screen.

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