THE LAGOS STATE WASTEWATER MANAGEMENT OFFICE (LSWMO), YESTERDAY, SEALED OFF SOME BUILDINGS/PROPERTIES ACROSS THE STATE OVER DIFFERENT ENVIRONMENTAL INFRACTIONS.(PHOTO). #PRESS RELEASE

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 The Lagos State Wastewater Management Office (LSWMO), yesterday, sealed off some buildings/properties across the state over different environmental infractions. They are; * A property on 34, Adeniji Adele, Lagos Island for deliberate discharge of raw sewage into the public drain causing offensive odour and sewage flowing in the community, constituting public nuisance, environmental pollution and endangering human life. * A block of Shops along Powerline Road, Meiran, Alimosho, for the illegal construction and operation of unsanitary toilet facility on a road setback without a permit, constituting public nuisance, environmental pollution and endangering human life. * A three-storey building at 38, Adeniji Adele Street, Lagos Island for deliberate discharge of raw sewage into the public drain. * A building at H29, House of Jesus Street, Langbasa, Ibeju-Lekki, Lagos, for the deliberate discharge of raw sewage into the public drains. Residents are urged to adopt proper wastewater mana...

JACK DEJOHNETTE, INFLUENTIAL AND ICONIC JAZZ DRUMMER, DIES AT 83.(PHOTO).


 Jack DeJohnette, influential and iconic jazz drummer, dies at 83

Jack DeJohnette, one of the most innovative and instantly recognizable jazz drummers of the past six decades, has died at the age of 83. He passed away Sunday at HealthAlliance Hospital in Kingston, New York, from congestive heart failure, his wife and manager, Lydia DeJohnette, confirmed.

Renowned for his elastic, multidirectional style, DeJohnette redefined jazz drumming, distributing rhythmic emphasis across the drum set rather than focusing solely on the ride cymbal. Influenced by modern and avant-garde pioneers such as Roy Haynes and Rashied Ali, he developed a distinctive approach that combined technical precision with boundless creativity. Over his career, he performed with an array of jazz legends, from Bill Evans and Keith Jarrett to Miles Davis, Charles Lloyd, Sonny Rollins, Pat Metheny, and Alice Coltrane, leaving a legacy of hundreds of recordings and countless live performances that showcased his improvisational genius and responsiveness to fellow musicians.

Beyond drumming, DeJohnette was a gifted composer, bandleader, and pianist. He co-led the influential trio Gateway with John Abercrombie and Dave Holland and later formed bands like Directions and the celebrated Special Edition ensemble, collaborating with innovators such as David Murray and Howard Johnson. He also released solo piano albums and frequently performed as a pianist, believing that understanding harmony and tone deepened his drumming. His accolades include two Grammy Awards, one for the jazz trio album Skyline in 2022 and another for the ambient work Peace Time in 2009.

Born Jack DeJohnette Jr. in Chicago on August 9, 1942, he was raised on the South Side, primarily by his grandmother, who nurtured his early musical talents. He began on piano before discovering a natural affinity for drums, performing professionally as a teenager. Chicago’s vibrant jazz scene exposed him to avant-garde experimentation and led to collaborations with the Sun Ra Arkestra, Eddie Harris, and early members of the Association for the Advancement of Creative Musicians (AACM).

DeJohnette moved to New York in 1966, immediately immersing himself in the city’s jazz community. His versatility allowed him to thrive in a variety of settings, from the explosive Charles Lloyd Quartet to Miles Davis’ pioneering jazz-fusion ensembles on albums like Bitches Brew. He also maintained a lifelong partnership with Keith Jarrett, forming a trio with bassist Gary Peacock that became a defining force in modern jazz for more than three decades.

Throughout his career, DeJohnette continued to push musical boundaries, leading projects such as Trio Beyond, the Jack DeJohnette Group, and other ensembles that explored fusion, post-bop, and avant-garde jazz. He remained closely connected to the AACM and other creative communities, collaborating with artists such as Wadada Leo Smith, Roscoe Mitchell, and Muhal Richard Abrams. Known for his generosity, insight, and commitment to musical exploration, DeJohnette described his greatest gift as the ability to truly listen—not only with his ears but with his heart.

Jack DeJohnette leaves behind a transformative legacy, one that reshaped the language of jazz drumming, inspired generations of musicians, and enriched the music world with its fearless inventiveness.


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