It was just one of those things where you feel compelled to do something you wouldnāt normally do,ā says Jennifer Lopez, explaining how she and retired Yankee superstar Alex Rodriguez, who made their red-carpet debut as a couple last spring at the Met Gala, came to be a modern Marilyn Monroe and Joe DiMaggioāthat is, if Monroe and DiMaggio had been happy, highly functional fortysomethings who had apparently done battle with their demons and emerged the victors.
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It was last winter as she was having lunch in Beverly Hills that she saw Rodriguez walk by. āI almost yelled out āAlex,ā but I am the shyest person when it comes to things like that,ā she says. When she went outside, he was still there, facing away from her. āI could literally just have walked away,ā she says. āBut I walk over and tap him on the shoulder and say āHey.ā.āI had just come from a promo for my show, Shades of Blue [in which she plays N.Y.P.D. detective Harlee Santos], so Iām dressed like my character, like a boyāTimberlands, jeans, curly short hair. He looks at me. I say, āItās Jennifer.ā He says, āYou look so beautiful.ā ā
She and I are sitting on a stone patio at Lopezās new house in Bel Air, overlooking an infinity pool and a lush green lawn with a double-size swing, which she points out is perfect for her nine-year-old twins, Emme and Max. The house is light-filled, sprawling, and warm, with wood-beamed ceilings, stone walls, plush low-slung sofas, big pillows, bowls filled with cut roses, and artwork by collagist Peter Tunney. āGRATTITUDĘ,ā one piece spells out. Itās a portmanteau of āgratitudeā and āattitudeā that could define Lopez. Wearing a cropped turtleneck sweater, skinny jeans, high Christian Louboutin boots, and impressive diamond earrings, she is as startlingly beautiful at 48 as she was at 28āif not more so. āWe walked into this house, and I said, āThis is where I want my kids to grow up,ā ā she says. āYou have to imagine your life, and what you want to be in it, and I imagined we would be very happy here no matter what.ā.Happy, naturally, has turned out differently from what she imagined. Just hours after Rodriguez met her in Beverly Hills, he called her, and they agreed to have dinner a few nights later. She told him that she remembered meeting him on a baseball diamond, 12 years earlier. Her then husband, Marc Anthony, had thrown out the first pitch of a New York Mets game, but the cameras captured Lopez and Rodriguez shaking hands and locking eyes. āYou donāt have to say you remember if you donāt,ā she told him. āShea Stadium, during a subway series,ā he responded.
Just then, Rodriguez walks out of the house to join us on the patio. āI was telling her about the tap,ā she says to him. āBut there were two taps,ā he says. She turns to me. āThere was another very significant tap on the shoulder,ā she says.
Before we get to that tap, we talk about their first date, when they met for dinner at the Hotel Bel Air. āHe was sitting there in his white shirt, very confident and manly, but then he was just so talkative!ā she says. āI think he thought I was going to be this loud person, but Iām not. I just listen. So heās talking, talking about his plans, about how he had just retired from baseball, about how he saw himself getting married again, all these things you wouldnāt normally talk about on a first date. I donāt know if he thought it was a date. I thought it was a date. Then I knew he was nervous because he asked me if I wanted a drink. I said, āNo, I donāt drink,ā and he asked if I minded if he had one. He was nervous, and it was really cute.ā.āI didnāt know if it was a date,ā Rodriguez says. āMaybe we were seeing each other at night because of her work schedule. I went in uneasy, not knowing her situation.ā.He continues: āIt would be incredibly productive for me to sit with one of the smartest, greatest women in the world, especially for a guy like me who is coming through tough times, rehabbing himself, re-establishing himself to folks out there. I thought it would be a win-win no matter what.ā.Then: āShe told me around the third or fourth inning that she was single,ā he says. āI had to get up and go re-adjust my thoughts. I went to the bathroom and got enough courage to send her a text.ā.āSo Iām sitting there and heās walking back, and I get a text,ā Lopez continues. āIt says . . . ā She looks significantly at Rodriguez. āYou can tell her!ā he says. ā āYou look sexy AF,ā ā she tells me. They both laugh. āAnd then it took a turn,ā Lopez says. āThe fire alarm went off, and we had to evacuate.ā I laugh, thinking sheās being metaphorical. āNo, really,ā she says. āThe fire alarm went off!ā.But about that other tap. This one was metaphorical. In August 2016, when Rodriguez announced his retirement from baseball, with his mother and his daughters Natasha and Ella in the stands, four runs short of 700 home runs, he said, āBaseball has a funny way of tapping you on the shoulder when you least expect it and telling you that itās the end.ā Itās a year later, and now, he says, āIām thinking about one door closing and another opening, and if that first door doesnāt close, well, there isnāt that second tap.ā.Rodriguezās story about the tap is a poignant reminder that this isnāt just another love story. Itās the story of two people with rich and at times tumultuous pasts, which are part of the reason they have a present as a couple. āWe are very much twins,ā he says. āWeāre both Leos; weāre both from New York; weāre both Latino and about 20 other things.ā.āI understand him in a way that I donāt think anyone else could, and he understands me in a way that no one else could ever,ā she says. āIn his 20s, he came into big success with the biggest baseball contract [at the time]. I had a No. 1 movie and a No. 1 album and made history. We both had ups and downs and challenges in our 30s, and by our 40s weād both been through so much. And more importantly than anything, we had both done a lot of work on ourselves.ā.Lopez, whose parents came from Puerto Rico, grew up in the Bronx, where she shared a bedroom with her two sisters. She famously left home at 18 to make it as a dancer, and burst on the scene in 1991 as one of the Fly Girls on Foxās In Living Color, the hit comedy series. She quickly parlayed her luminous beauty, talent, and sheer workaholism into a series of starring roles, including Marisa in Maid in Manhattan, which grossed more than $150 million worldwide.More photos below.


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