NEMA COORDINATES SAR OPS AT THE SCENE OF BUILDING COLLAPSE INVOLVING A THREE STOREY BUILDING UNDER CONSTRUCTION AT GUDU AREA OF FCT. (PHOTOS). #PRESS RELEASE.

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 NEMA COORDINATES SAR OPS AT THE SCENE OF BUILDING COLLAPSE INVOLVING A THREE STOREY BUILDING UNDER CONSTRUCTION AT GUDU AREA OF FCT At about 0945hrs on Saturday 16th May, 2026, the National Emergency Management Agency (NEMA) was alerted of a building collapse at Gudu District of FCT.  Critical stakeholders including Federal Fire, FCT Fire, NSCDC, NPF, FRSC and Federal Capital Territory Emergency Management Agency (FEMA) were activated while a response team of NEMA from the Abuja Operations Office led by the Head of Operations Mr Zakari Abubakar  and operatives from AYA Emergency Response Bay (ERAB) were deployed to the scene for quick response and coordination.  A reinforcement team  from NEMA Headquarters led by the Director Search and Response (DSAR) Air Cdre Bature Usman was also on ground to provide necessary backup and supervision. At the time of this report, the operation is still ongoing. However, sixteen (16) casualties have so far been evacuated to Aso...

WHY JOHN LEGUIZAMO FOUND PATRICK SWAYZE 'DIFFICULT' TO WORK WITH. (PHOTO).


 Why John Leguizamo found Patrick Swayze 'difficult' to work with


John Leguizamo has built a career full of eclectic roles, from his uncomfortable time in the Spawn costume to drawing inspiration from Steven Seagal for The Menu. 


But one of his most memorable experiences came while filming To Wong Foo, Thanks for Everything! Julie Newmar alongside Patrick Swayze and Wesley Snipes. 


The 1995 road trip comedy about drag queens became a cult classic, yet Leguizamo admitted that his improvisational style clashed with Swayze’s preference for sticking to the script.


In a candid interview, Leguizamo recalled how Swayze would often ask him to deliver lines as written, while he insisted on making up dialogue to bring more life to his character, Chi-Chi Rodriguez. 


Their differences nearly escalated into a fight, but the absurdity of arguing while dressed in drag led them to laugh it off and hug instead. 


Leguizamo explained that his improvisation was essential to shaping Chi-Chi, expanding the role beyond what was originally on the page and giving the character depth and personality.


Despite the tension, both actors delivered standout performances, earning Golden Globe nominations for their roles. Leguizamo now looks back on the experience as proof that creative clashes can still produce great art. 


He believes his improvisation elevated Chi-Chi into a more memorable character, while acknowledging that Swayze’s disciplined approach reflected his stature as an established leading man. 


Together, their contrasting styles mirrored the dynamic between their characters an experienced queen and a young protégé helping cement the film’s enduring legacy.

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