COURT ADJOURNS EL-RUFAI, SIX OTHERS' #8.68 BILLION FRAUD CASE TO DECEMBER 8.(PHOTO).

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COURT ADJOURNS EL-RUFAI, SIX OTHERS' #8.68 BILLION FRAUD CASE TO DECEMBER 8 The Federal High Court sitting in Kaduna has adjourned the trial of former Kaduna State Governor, Nasir Ahmad El-Rufai, and six others over alleged corruption and money laundering involving an ₦8.68 billion Closed-Circuit Television (CCTV) surveillance contract to December 8, 2026, following changes in the legal teams representing the prosecution and the first defendant. A statement by Head Media and Public Communications(ICPC), Okor Odey says the matter instituted by Independent Corrupt Practices and Other Related Offences Commission (ICPC), came up before Honourable Justice Hauwa’u Buhari of the Federal High Court, Kaduna Judicial Division, where the newly appointed prosecution counsel, Ibrahim Muktar, announced his appearance and informed the court of a change in the prosecution team. Muktar consequently sought an adjournment to enable him to study the case file, review previous proceedings, and familiar...

DANIEL RADCLIFFE SAYS BROADWAY ROLE ‘SCARED’ HIM MORE THAN ANYTHING HE’S DONE BEFORE. (PHOTO).


Daniel Radcliffe says Broadway role ‘scared’ him more than anything he’s done before

Daniel Radcliffe is preparing to wrap up his run in Every Brilliant Thing, but the role that once pushed him far outside his comfort zone has now become one of the defining performances of his stage career.

The 36 year old actor will take his final bow in the production on May 24, closing out a run that has earned him widespread praise and a Tony nomination for Best Leading Actor in a Play.

Unlike traditional stage performances, Every Brilliant Thing demands constant interaction with the audience, something Radcliffe admits initially felt intimidating. Throughout the show, he moves through the theater, speaks directly with audience members and builds parts of the performance around spontaneous reactions from the crowd.

For the former Harry Potter star, that unpredictability was exactly what drew him in.

He explained that every few years he looks for projects that genuinely frighten him as an actor, believing discomfort can shake him out of creative routine. This play, he said, absolutely did that.

The production, written by Duncan Macmillan, tackles difficult themes including depression and su!cide, while also focusing on hope, connection and finding joy in ordinary moments. Radcliffe believes the play succeeds because it approaches heavy subjects with warmth rather than hopelessness.

He described kindness as the heart of the story, saying the balance between emotional weight and uplifting moments is what makes the production so powerful.

Part of the challenge for Radcliffe came from how closely parts of the character felt connected to his own personality, while other aspects forced him into unfamiliar territory. He said that combination is where he feels most creatively alive as a performer.

Although the play is often described as a one man show, Radcliffe says it never truly feels that way because the audience becomes part of the experience every single night.

According to him, the emotional connection formed inside the theater is what transformed the role from something terrifying into something deeply meaningful.

Rather than simply performing lines on stage, he says the production feels like a shared experience between everyone in the room, something created together in real time.

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