NORTHWEST UNIVERSITY DEBUNKS CLAIM EMIR OF KANO SANUSI ATTENDED LECTURE TO CLEAR CARRY-OVER. (PHOTO).

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 Northwest University Debunks Claim Emir of Kano Sanusi Attended Lecture To Clear Carry-Over Northwest University, Kano, has dismissed a viral claim that the Emir of Kano, Muhammadu Sanusi II, attended a lecture at the institution to clear an alleged academic carry-over. The university described the claim as false, baseless and misleading in a disclaimer dated August 10, 2026, issued by its Public Relations Officer, Abubakar Ibrahim, and published on its Facebook page. The institution said it had observed the circulation of a video showing Sanusi after attending a public lecture organised by the International Humanitarian Law Society at the university. According to the university, some social media users subsequently attached captions to the video claiming that the Emir had a carry-over and visited the institution to resolve the alleged academic deficiency. The university, however, categorically denied the claim and urged members of the public to disregard the video and accompanyin...

DANIEL RADCLIFFE SAYS BROADWAY ROLE ‘SCARED’ HIM MORE THAN ANYTHING HE’S DONE BEFORE. (PHOTO).


Daniel Radcliffe says Broadway role ‘scared’ him more than anything he’s done before

Daniel Radcliffe is preparing to wrap up his run in Every Brilliant Thing, but the role that once pushed him far outside his comfort zone has now become one of the defining performances of his stage career.

The 36 year old actor will take his final bow in the production on May 24, closing out a run that has earned him widespread praise and a Tony nomination for Best Leading Actor in a Play.

Unlike traditional stage performances, Every Brilliant Thing demands constant interaction with the audience, something Radcliffe admits initially felt intimidating. Throughout the show, he moves through the theater, speaks directly with audience members and builds parts of the performance around spontaneous reactions from the crowd.

For the former Harry Potter star, that unpredictability was exactly what drew him in.

He explained that every few years he looks for projects that genuinely frighten him as an actor, believing discomfort can shake him out of creative routine. This play, he said, absolutely did that.

The production, written by Duncan Macmillan, tackles difficult themes including depression and su!cide, while also focusing on hope, connection and finding joy in ordinary moments. Radcliffe believes the play succeeds because it approaches heavy subjects with warmth rather than hopelessness.

He described kindness as the heart of the story, saying the balance between emotional weight and uplifting moments is what makes the production so powerful.

Part of the challenge for Radcliffe came from how closely parts of the character felt connected to his own personality, while other aspects forced him into unfamiliar territory. He said that combination is where he feels most creatively alive as a performer.

Although the play is often described as a one man show, Radcliffe says it never truly feels that way because the audience becomes part of the experience every single night.

According to him, the emotional connection formed inside the theater is what transformed the role from something terrifying into something deeply meaningful.

Rather than simply performing lines on stage, he says the production feels like a shared experience between everyone in the room, something created together in real time.

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