SERENA WILLIAMS FALLS TO 20-YEAR-OLD MAYA JOINT IN WIMBLEDON RETURN AFTER NEARLY FOUR-YEAR SINGLES ABSENCE. (PHOTO).

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 Serena Williams falls to 20-year-old Maya Joint in Wimbledon return after nearly four-year singles absence Serena Williams showed flashes of the power and precision that defined her Hall of Fame career in her return to professional singles tennis Tuesday, but ultimately fell short in a three-set opening-round loss at Wimbledon. The 44-year-old Williams, a 23-time Grand Slam champion, was defeated 6-3, 6-7 (6), 6-3 by 20-year-old Australian Maya Joint in a match that lasted 2 hours and 22 minutes on Centre Court. It marked Williams’ first singles appearance in nearly four years, since the 2022 U.S. Open. Williams still produced trademark moments, including powerful serves and heavy groundstrokes that once carried her to seven Wimbledon singles titles. But Joint, ranked 87th, absorbed the pace and proved steadier on the biggest points, repeatedly finding angles that pushed Williams out of position. “I don’t know what just happened, to be honest,” Joint said afterward. “I didn’t get ...

DANIEL RADCLIFFE SAYS BROADWAY ROLE ‘SCARED’ HIM MORE THAN ANYTHING HE’S DONE BEFORE. (PHOTO).


Daniel Radcliffe says Broadway role ‘scared’ him more than anything he’s done before

Daniel Radcliffe is preparing to wrap up his run in Every Brilliant Thing, but the role that once pushed him far outside his comfort zone has now become one of the defining performances of his stage career.

The 36 year old actor will take his final bow in the production on May 24, closing out a run that has earned him widespread praise and a Tony nomination for Best Leading Actor in a Play.

Unlike traditional stage performances, Every Brilliant Thing demands constant interaction with the audience, something Radcliffe admits initially felt intimidating. Throughout the show, he moves through the theater, speaks directly with audience members and builds parts of the performance around spontaneous reactions from the crowd.

For the former Harry Potter star, that unpredictability was exactly what drew him in.

He explained that every few years he looks for projects that genuinely frighten him as an actor, believing discomfort can shake him out of creative routine. This play, he said, absolutely did that.

The production, written by Duncan Macmillan, tackles difficult themes including depression and su!cide, while also focusing on hope, connection and finding joy in ordinary moments. Radcliffe believes the play succeeds because it approaches heavy subjects with warmth rather than hopelessness.

He described kindness as the heart of the story, saying the balance between emotional weight and uplifting moments is what makes the production so powerful.

Part of the challenge for Radcliffe came from how closely parts of the character felt connected to his own personality, while other aspects forced him into unfamiliar territory. He said that combination is where he feels most creatively alive as a performer.

Although the play is often described as a one man show, Radcliffe says it never truly feels that way because the audience becomes part of the experience every single night.

According to him, the emotional connection formed inside the theater is what transformed the role from something terrifying into something deeply meaningful.

Rather than simply performing lines on stage, he says the production feels like a shared experience between everyone in the room, something created together in real time.

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