CHRISTIANS ENJOINED TO SEEK GOD'S FACE DESIST FROM NEGOTIATING ONE'S DESTINY WITH THE DEVIL. (PHOTO). #PRESS RELEASE

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 Christians enjoined to seek God's face desist from negotiating one's destiny with the devil By Ezumezu Nonyelum  Christians enjoined to seek God's face desist from negotiating one's destiny with the devil. Converts encouraged to refrain from secret sin that deprives them from mercy of God. The Officiating Priest of St. Michael Parish Awkuzu, Rev. Fr. Michael Okoye stated this in a homily during a 6.00am mass on November 15. Fr. Michael Okoye hinted that some Catholic faithfuls have deny their destiny for worldly pleasures, sins, money to satisfy their flesh. He reflects on Mathew's Gospel that"  fear is debilitating indeed". The other servants who were not governed by fear took risk and made wonderful returns", he said. Fr. Okoye emphasized in the parable of 5 talents, 2 talents and 1 talent that Christians should not seen others most favoured than others. He added that some human being regard themselves as less endowed for achieving the purpose for ...

REX REED, OUTSPOKEN FILM CRITIC AND NEW YORK OBSERVER COLUMNIST, DIES AT 87.(PHOTO).



Rex Reed, outspoken film critic and New York Observer columnist, dies at 87

Rex Reed, the outspoken film critic and longtime columnist for The New York Observer, has died at the age of 87.

He died Tuesday at his Manhattan home after a short illness, according to a publicist speaking on behalf of a close friend.

Over a career spanning more than six decades, Reed became one of the most recognizable and controversial voices in film criticism. He authored eight books, appeared occasionally in films—including a cameo as himself in “Superman”—and was a familiar presence on television talk shows. He also formed friendships within Hollywood circles, including with actress Angela Lansbury.

Reed was frequently at the center of controversy for his blunt and often divisive commentary. His criticism included remarks about Marlee Matlin’s Oscar win for “Children of a Lesser God,” which he suggested was a sympathy vote, and later comments about Melissa McCarthy’s appearance in a review of “Identity Thief.” He also promoted the disputed claim that Marisa Tomei’s 1992 Oscar win for “My Cousin Vinny” was the result of an error, a theory that has long been debunked.

Known for a sharp and sometimes nostalgic view of cinema, Reed often expressed concern that modern film criticism had lost its depth. In interviews, he described himself as someone who admired good filmmaking while also believing the industry was increasingly filled with mediocrity.

Born in Fort Worth, Texas, in 1938, Reed spent much of his childhood moving across the South due to his father’s work. He later recalled that his interest in writing began early, launching a gossip column in his school newspaper and aspiring to a career in more cosmopolitan settings.

He briefly worked in publicity at a major Hollywood studio during the production of “Cleopatra” before transitioning into journalism. After a period of traveling in Europe, he began contributing film writing that helped establish his career in media. By the 1960s and 1970s, he had become a widely published critic and essayist, appearing in major magazines and newspapers and frequently guesting on television programs.

Among his best-known works was a 1967 profile of Ava Gardner, which later appeared in a collection of his writing alongside interviews with other major Hollywood figures. His articles were published in outlets including Vogue, Esquire, GQ, and Women’s Wear Daily. He later spent decades writing about film for The New York Observer.

Reed also took on occasional acting roles, including appearances in films such as “Myra Breckinridge” and “Inchon.” He never married and leaves no immediate survivors.

Reflecting on his legacy earlier this year, Reed said he hoped to be remembered for his appreciation of quality work and his effort to elevate cultural conversation, rather than for his reputation as a harsh critic.


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