ABUJA EARTH TREMOR: MINISTER DELE ALAKE CALLS FOR CALM, DIRECTS AGENCY TO REPORT UPDATES. (PHOTO).

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 ABUJA EARTH TREMOR: MINISTER DELE ALAKE CALLS FOR CALM, DIRECTS AGENCY TO REPORT UPDATES The minister of Solid Minerals Development, Dele Alake has directed the Nigerian Geological Survey Agency to provide hourly updates of the seismic developments around Abuja to him for regular review and possible escalation to other relevant agencies, Urging residents of the Federal Capital to go about their normal routine without anxiety. In a statement by the Special Assistant on Media, Lara Owoeye-Wise, the minister assures that proactive measures have been deployed to ensure the safety of residents and property. The minor earth tremor was noticed on Tuesday, August 4th at 11am in the Federal Capital Territory by the Nigerian Geological survey Agency.

MICHAEL JACKSON WAS ‘WORSE THAN EPSTEIN,’ CLAIMS ‘LEAVING NEVERLAND’ DIRECTOR. (PHOTO).


 Michael Jackson was ‘worse than Epstein,’ claims ‘Leaving Neverland’ director


Dan Reed, the director of the 2019 documentary Leaving Neverland, has reignited debate around Michael Jackson with sharp criticism of the new biopic Michael. 


Reed argues that the film, despite its box office success, sidesteps the serious abuse allegations that shadowed Jackson for decades. 


He questions how any portrayal of the singer can be considered authentic if it ignores accusations of child sexual abuse, insisting that omitting this aspect distorts the story.


Reed’s stance is rooted in his documentary, which focused on Wade Robson and James Safechuck, two men who accused Jackson of abusing them as children. 


Jackson denied such claims during his lifetime, and his estate continues to reject them. 


Reed also condemned director Antoine Fuqua’s dismissal of the allegations as opportunistic “gold digging,” calling that view ironic given the commercial motives behind the biopic. 


He emphasized that Robson and Safechuck have not profited from their accusations, pointing out that lawsuits only yield compensation if won in court.


Beyond the filmmakers, Reed accuses the media and Jackson’s estate of softening coverage due to the singer’s enduring popularity and financial power. 


He argues that critics face backlash from the “Jackson machine,” while fans and industry figures often overlook troubling allegations in favor of celebrating Jackson’s music. 


Reed’s harshest claim compares Jackson to Jeffrey Epstein, underscoring his belief that audiences are too willing to ignore disturbing accusations for the sake of entertainment. 


With Michael bringing Jackson’s life back to the big screen, Reed insists the public should not be allowed to dance past the controversy.

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