COURT JAILS TWO FOR N14.8M FRAUD IN MAIDUGURI. (PHOTO). #PRESS RELEASE.

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 Court Jails Two for N14.8m Fraud in Maiduguri Justice B.T Zannah of the Borno State High Court sitting in Maiduguri, on Monday, July 13, 2026 convicted and sentenced two to three years imprisonment. The convicts are: Babagana Bukar and Hauwa Chabri.  The convicts were arraigned on Monday, July 13, 2026 by the Maiduguri Zonal Directorate of the Economic and Financial Crimes Commission, EFCC, on a separate one -count charge for the offence of criminal misappropriation to the tune of N14,800,000.00 (Fourteen  Million, Eight Hundred Thousand Naira). The charge against Bukar reads: "That you, Babagana Bukar sometimes in 2025 at Maiduguri, Borno State within the jurisdiction of this honourable court, dishonestly misappropriated and converted to your own use the aggregate sum of N8,800,000.00 (Eight Million, Eight Hundred Thousand Naira)  money belonging to Bunu Gambo Liman, being amount given to you through Babakura Umar and Bello Adamu for the supplies of 100 bags of IRS...

MICHAEL JACKSON WAS ‘WORSE THAN EPSTEIN,’ CLAIMS ‘LEAVING NEVERLAND’ DIRECTOR. (PHOTO).


 Michael Jackson was ‘worse than Epstein,’ claims ‘Leaving Neverland’ director


Dan Reed, the director of the 2019 documentary Leaving Neverland, has reignited debate around Michael Jackson with sharp criticism of the new biopic Michael. 


Reed argues that the film, despite its box office success, sidesteps the serious abuse allegations that shadowed Jackson for decades. 


He questions how any portrayal of the singer can be considered authentic if it ignores accusations of child sexual abuse, insisting that omitting this aspect distorts the story.


Reed’s stance is rooted in his documentary, which focused on Wade Robson and James Safechuck, two men who accused Jackson of abusing them as children. 


Jackson denied such claims during his lifetime, and his estate continues to reject them. 


Reed also condemned director Antoine Fuqua’s dismissal of the allegations as opportunistic “gold digging,” calling that view ironic given the commercial motives behind the biopic. 


He emphasized that Robson and Safechuck have not profited from their accusations, pointing out that lawsuits only yield compensation if won in court.


Beyond the filmmakers, Reed accuses the media and Jackson’s estate of softening coverage due to the singer’s enduring popularity and financial power. 


He argues that critics face backlash from the “Jackson machine,” while fans and industry figures often overlook troubling allegations in favor of celebrating Jackson’s music. 


Reed’s harshest claim compares Jackson to Jeffrey Epstein, underscoring his belief that audiences are too willing to ignore disturbing accusations for the sake of entertainment. 


With Michael bringing Jackson’s life back to the big screen, Reed insists the public should not be allowed to dance past the controversy.

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