FORMER KENNEDY CENTER EMPLOYEES ALLEGE LEADERSHIP DELAYED ROOF REPAIRS BEFORE CITING SAFETY ISSUES IN CLOSURE DECISION. (PHOTO).

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 Former Kennedy Center employees allege leadership delayed roof repairs before citing safety issues in closure decision Former Kennedy Center employees allege that the venue’s leadership knew about serious structural problems well before citing newly discovered hazards as the reason for its abrupt closure this month. The claims were outlined in a letter to Congress from a lawyer representing anonymous whistleblowers. The letter accuses the center’s executive director and chief operating officer, Matt Floca, of failing to prioritize roof repairs and stopping a funded repair plan in April. Floca disputes the allegations, saying recent inspections revealed that water damage had spread farther into the building than officials previously knew. In a September court declaration, Floca cited “acute risks to public safety” following an inspection that found deterioration in a roof terrace canopy and a partial ceiling collapse. The former employees contend those dangers were already known to...

“I HAVE NOT SOLD ANYONE’S CATALOGUE. NOT TO A DISTRIBUTOR, NOT TO A THIRD PARTY, NOT TO ANYONE” — DAPPER DAMM ADDRESSES ONE SPECIFIC CLAIM IN HIS NEW STATEMENT. (PHOTO).


 “I have not sold anyone’s catalogue. Not to a distributor, not to a third party, not to anyone” — Dapper Damm addresses one specific claim in his new statement


Music executive Dapper Damm has denied claims that he sold the catalogues of artists signed to his label, insisting that no artist’s catalogue has been sold to a distributor, third party or anyone else.


In a new statement addressing the allegations surrounding his label, Dapper also clarified how the revenue figures being circulated online should be understood.


He explained that catalogue revenue figures quoted online are gross figures and do not represent the amount ultimately payable to an artist. According to him, streaming platforms and distributors take their respective shares before other costs advanced by the label are recouped.


Dapper claimed that the label’s investments in the artists exceeded the earnings generated, leaving some balances unrecouped.


He also addressed concerns surrounding masters and ownership, saying that when a label finances the production, promotion and release of a record, ownership of the master recording typically follows the financial investment and risk taken by the label.


According to him, these terms were contained in the artists’ agreements, explained before signing and negotiated by both parties.


Dapper further urged those involved in the dispute to rely on contracts, accounting records and audits rather than social media posts.


“Social media is not a court of law,” he said, arguing that viral posts and repeated allegations do not by themselves establish wrongdoing.


He then directly addressed one of the claims that has continued to circulate, stating: “I have not sold anyone’s catalogue. Not to a distributor, not to a third party, not to anyone.”

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